| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 68550 |
 |
A Christian Martyr Drowned in the Tiber During the Reign of Diocletian |
1855
Oil on canvas
171 x 148 cm
|
| 40003 |
 |
A Courtyard in Tangiers |
mk155
1832
Watercolor over graphite drawing
20.7x29.4cm
|
| 44197 |
 |
A Mad Woman |
c. 1822
Oil on canvas,
41 x 33 cm |
| 40044 |
 |
A Moroccan from the Sultan-s Guard |
mk155
1845
Oil on canvas
32x41cm
|
| 44203 |
 |
A Mortally Wounded Brigand Quenches his Thirst |
c. 1825
Oil on canvas,
32,5 x 40,7 cm |
| 52482 |
 |
A Vase of Flowers on a Console |
1848-50 Oil on canvas, 135 x 102 cm |
| 52467 |
 |
A Young Tiger Playing with its Mother |
1830 Oil on canvas, 131 x 194,5 cm |
| 58662 |
 |
A Young Tiger Playing with its Mother |
A Young Tiger Playing with its Mother, 1830
|
| 70850 |
 |
Abduction of Rebecca |
Medium Oil on canvas
Dimensions 100.3 x 81.9 cm
|
| 40046 |
 |
African Priates Abducting a Young Woman |
mk155
1853
Oil on canvas
65x81cm
|
| 89430 |
 |
Alexander und die Epen Homers |
2nd third of 19th century
Medium Oil on canvas
Dimensions Deutsch: 221 x 292 cm
cjr |
| 40048 |
 |
Algerian Women in their Apartments |
mk155
1834
Oil on canvas
180x229cm
|
| 20915 |
 |
Algerian Women in Their Appartments (mk05) |
1834
Canvas 71 x 90 1/4''(180 x 229 cm)Acquired at the Salon of 1834 INV 3824(S/AR) |
| 40678 |
 |
Algerian Women in their Chamber |
mk156
1834
Oil on canvas
180x229cm
|
| 56569 |
 |
algeriska kvinnor |
mk248 ar 1832 var delacroix med i den franske ambassadorens folje da denne besokte sultanen av marocko ocb ban bamtade aven senare inspiration fran resan. detaljen visar den teknik som delacracroix borjada seden ban studerat constables brub av separerade nyanser ocb dess livfulla effrker. |
| 71191 |
 |
apartment |
mk290 1834 oil on canvas 70x90in musee du louvre paris |
| 938 |
 |
Apasia |
1824
Musee Fabre, Montpellier |
| 58654 |
 |
Apollo slaying Python |
Apollo slaying Python, 1851, the Louvre
|
| 43963 |
 |
Apollo Slays Python |
c. 1850
Drawing,
272 x 440mm |
| 52483 |
 |
Apollo Slays Python |
1850-51 Oil on mounted canvas, 800 x 750 cm |
| 62858 |
 |
Apollo Slays Python |
1850-51 Oil on mounted canvas, 800 x 750 cm Musee du Louvre, Paris This painting decorates the ceiling of the Galerie d'Apollon in the Louvre. Delacroix's greatest virtuosity was reserved for a project which came in 1850, between the decoration of the Senate and Palais Bourbon libraries and the monumental Salon de la Paix at the Hotel de Ville, and was the most important commission of Delacroix's life. It was nothing less than the decoration of the Galerie d'Apollon in the Louvre. Following a fire, Le Vau had reconstructed this historical gallery for Louis XIV, while the decoration was entrusted to Charles Le Brun. Then in 1678, Louis left Paris for Versailles, and work ceased. In 1793, in the wake of the French Revolution, the Louvre became a museum, and the Second Republic deemed the completion of the decoration a republican duty. Le Brun had intended a subject dear to the heart of the Sun King: Apollo on his chariot. For Delacroix, to make his mark at the very heart of the Louvre and to do so not by exhibiting paintings but by decorating the central part of a ceiling was a thrilling opportunity. Before he began, he felt the need to study the works of Rubens in Belgium. In his Apollo Slays Python, Delacroix retained Le Brun's ambition to portray the mythological figure of Apollo in the gallery of that name. But Delacroix enhanced Le Brun's allegory with a further allegory close to his own heart: intelligence wrestling with barbarity and light struggling with darkness. By emphasising the contrast between the two parts of his composition, the world of the sun above and that of darkness beneath, Delacroix transformed Le Brun's project and raised it to the plane of an eternal symbol. The subject, which Delacroix took from Ovid's Metamorphoses, is effectively the victory of Good over Evil. But it takes the form of beauty vanquishing the ugly and genius dispelling stupidity. Artist: DELACROIX, Eugene Title: Apollo Slays Python , painting Date: 1801-1850 French : mythological |
| 87899 |
 |
Apollo Slays Python |
between 1850(1850) and 1851(1851)
Medium Oil on mounted canvas
cyf |
| 62859 |
 |
Apollo Vanquishing the Python |
1850-51 Mural painting, about 800 x 750 cm Musee du Louvre, Paris This is the central panel of the vaulted ceiling of the Galerie d'Apollon in the Louvre. One of Delacroix's lesser-known masterpieces, the subject-matter was dictated by its destination. Apollo Vanquishing the Python shows the painter working in a direct line from the great decorators of the seventeenth and eighteenth centuries, without losing any of his own ardor or lyricism. Artist: DELACROIX, Eugene Title: Apollo Vanquishing the Python , painting Date: 1801-1850 French : mythological |
| 949 |
 |
Arab Horses Fighting in a Stable |
1860
Musee du Louvre, Paris |
| 58661 |
 |
Arab Horses Fighting in a Stable |
Arab Horses Fighting in a Stable, 1860
|
| 40051 |
 |
Arab Sadding His Horse |
mk155
1855
Oil on canvas
56x47cm
|
| 41077 |
 |
Arab Sadding His Horse |
mk159
1855
Oil on canvs
56x47cm
|
| 950 |
 |
Arab Saddling his Horse |
1855
The Hermitage, St.Petersburg |
| 10816 |
 |
Arabian Horses Fighting in a Stable |
1860, 2' 1 1/2" x 2' 8" (64.5 x 81 cm), Bequest of Count Isaac de Camondo, 1911. Deposit from the Louvre. |
| 53876 |
 |
Arabs, which affects up in the mountains |
mk234
1863
92x75cm |
| 52463 |
 |
Aspasia |
c. 1824 Oil on canvas, 81 x 65 cm |
| 62857 |
 |
Attila and his Hordes Overrun Italy and the Arts |
1843-47 Oil and virgin wax on plaster Bibliotheque, Palais Bourbon, Paris Delacroix decorated the walls of the library of the Palais Bourbon: two great semidomes eleven metres by eight situated on either side of the room. Delacroix decided to decorate them with allegorical subjects, one representing barbarity, Attila and His Hordes Overrun Italy and the Arts, and the other civilisation: Orpheus Civilizes the Greeks. There were in addition five little domes or bays, which would present the divisions adopted in all libraries, while not following the classification too exactly: Sciences, Philosophy, Legislation, Theology and Poetry. By making such a striking contrast between his two allegorical subjects, Delacroix contrived to symbolise War and Peace, the two poles of human conduct. Artist: DELACROIX, Eugene Title: Attila and his Hordes Overrun Italy and the Arts (detail) , painting Date: 1801-1850 French : historical |
| 76988 |
 |
Autoportrait dit en Ravenswood ou en Hamlet |
Date c. 1821
Medium Oil on canvas
Dimensions original: H. 0,410 m ; L. 0,330 m.
cyf |
| 89428 |
 |
Babylonische Gefangenschaft |
2nd third of 19th century
Medium oil on canvas
Dimensions Deutsch: 221 x 292 cm
cjr |
| 88470 |
 |
Basket of Flowers |
1848-49
Oil on canvas; 42 1/4 x 56 in. (107.3 x 142.2 cm)
cjr |
| 56571 |
 |
blodbafet chios |
mk248 inspirad av gericaults satt gestalta lidandets tema presenterar delacroix en gripande scen fran grekernas fribetskrig mot turkarna, som skull fa manga europeer att stalla sig pa grekernas sida. malningen kanske av talleyrand som i smyg ville stodja sin son. pa samma kanske av talleyrand som i smyg ville sodja sin som pa samma utstallning sag delacroix constables hoskrindan vilket skulle fa stor inverkan bans maleri. |
| 62516 |
 |
Bouquet of Flowers |
1849-50 Watercolour, gouache and pastel on paper, 650 x 654 mm Mus?e du Louvre, Paris Delacroix painted flower paintings and landscapes in his later years. The symbolic import typical of Delacroix's subjects seems here to be lacking. They might be described as an early case of 'art for art's sake'. Delacroix took time off from his exhausting monumental labours to paint the flowers in the garden of his friend George Sand. Author: DELACROIX, Eug?ne Title: Bouquet of Flowers Form: graphics , 1801-1850 , French , still-life |
| 942 |
 |
Bouquet of Flowers on a Console_3 |
1848-50
Musee Ingres, Montauban |
| 58655 |
 |
Bride of Abydos |
Bride of Abydos, 1857
|
| 10812 |
 |
Charenton Saint Maurice |
1798, Paris. 1863 Lion Hunt, Sketch, 1854. 2' 9 3/4" x 3' 9 1/4" ( 86 115 cm). |
| 84657 |
 |
Christ on the Cross |
Date 1845
Medium Oil on panel
Dimensions 37 x 25 cm (14.6 x 9.8 in)
cjr |
| 88543 |
 |
Christ on the Cross |
1845
Medium Oil on panel
Dimensions 37 x 25 cm (14.6 x 9.8 in)
cyf |
| 21819 |
 |
Christ on the Cross (mk10) |
1860,Oil on canvas
751 x 485 cm
Vannes,Musee des Beaux-Arts |
| 928 |
 |
Christ on the Lake of Gennesaret |
Metropolitan Museum of Art, New York |
| 52481 |
 |
Christ on the Lake of Gennezaret |
c. 1841 Oil on canvas |
| 86659 |
 |
Christus auf dem See Genezareth |
Date 1854(1854)
Medium Oil on canvas
Dimensions 59,7 x 73,3 cm
cjr |
| 90612 |
 |
Christus auf dem See Genezareth |
1854(1854)
Medium oil on canvas
Dimensions 59,7 x 73,3 cm
cyf |
| 10814 |
 |
Cleopatra and the Peasant |
1838 Ackland Art Museum, University of North Carolina |
| 84388 |
 |
Cleopatra and the Peasant |
oil on canvas, dimensions: 97.8 x 127.0 cm
cyf |
| 58642 |
 |
Clorinda Rescues Olindo und Sophronia |
Clorinda Rescues Olindo und Sophronia
|
| 87277 |
 |
Combat de chevaliers dans la campagne |
1824 (?)
Medium Oil on canvas
Dimensions 81 x 105 cm (31.9 x 41.3 in)
cyf |
| 83140 |
 |
Combat de chevaliers dans la campagne. |
Date 1824
Medium Oil on canvas
Dimensions 81 x 105 cm (31.9 x 41.3 in)
cjr |
| 44172 |
 |
Combat of the Giaour and the Pasha |
1835
Oil on canvas,
74 x 60 cm |
| 25204 |
 |
Conversation mauresque (mk32) |
aquarelle signee 14 x 18 cm 1833 The Metropolitan Museum of Art New York Cette seduisante Scene amoureuse faisait partie de l'album d'aquarelles donne par Delacroix au comte de Momary avec lequel il avait ovyage au Maroc en 1832 |
| 82992 |
 |
Dante and Vergil in hell |
Date 1822(1822)
Medium Oil on canvas
English: Oil on canvas
Dimensions Deutsch: 189 x 242 cm
cjr |
| 86915 |
 |
Dante and Vergil in hell |
Oil on canvas
Dimensions Deutsch: 189 x 242 cm
cyf |
| 20907 |
 |
Dante and Virgil (Corssing the Lake That Surrounds the Infernal City) also called the Barque of Dante (mk05) |
1822
Canvas 74 1/2 x 95 1/4''(189 x 242 cm)Scene from Dante's Jnferno Canto VIII.Acquired at the Salon of 1822
INV 3820 (G/AR) |
| 22821 |
 |
Dante and Virgil in Hel (The Barque of Dante) (mk22) |
1822
Oil on canvas,189 x 246 cm
Paris,Musee du Louvre |
| 21757 |
 |
Dante and Virgil in Hell (mk10) |
1822 oil on canvas,
189 x 241.5 cm
Paris,musee du Louvre |
| 40674 |
 |
Death of Sardanapalus |
mk156
1827
Oil on canvas
392x496cm
|
| 58633 |
 |
Death of Sardanapalus |
Death of Sardanapalus (1827), Louvre |
| 20917 |
 |
Death of Sardanapalus (mk05) |
Canvas 154 1/4 x 192 1/4''(392 x 496 cm)Salon of 1827-1828;acquired in 1921 R.F 2346(MN) |
| 52468 |
 |
Decoration of the west wall |
1833-37 Oil on canvas
|
| 58670 |
 |
Delacroix |
Delacroix, Salon du Roi, Palais Bourbon, Paris
|
| 71765 |
 |
Der Tod Laras |
Dimensions Deutsch: 62 x 50 cm
Date 1858
|
| 73794 |
 |
Disciples at Emmaus |
Date ca. 1853(1853)
Medium Oil on canvas
Dimensions 55.2 X 47 cm (21.73 X 18.5 in)
cyf |
| 90521 |
 |
Eine Ecke des Ateliers |
1830
Medium Oil on canvas
cyf |
| 40041 |
 |
Encampment in Morocco between Tangiers and Meknes |
mk155
1882
Watercolor,graphite and gouache highlights over graphite drawing
9.5x16cm
|
| 20919 |
 |
Entry of the Crusaders into Constantinople on 12 April 1204 (mk05) |
1840
Canvas 162 x 195 1/2''(''(411 x 497 cm)Commissioned by Louis-Philippe in 1838 for the historic Galleries at Versailles.Entered the Louvre in 1885 INV 3821 (G/AR)) |
| 89375 |
 |
Ermordung des Bischofs von Luttich |
1827
Medium oil on canvas
Dimensions Deutsch: 89 x 119 cm
cyf |
| 42753 |
 |
Eugene Delacroix De kill of Sardanapalus |
MK169
1828 oil Paint on cloth 392x496cm |
| 43954 |
 |
Fan with Caricatures |
Oil on canvas
|
| 58659 |
 |
Fanatics of Tangier |
Fanatics of Tangier, 1838, Minneapolis Institute of Arts
|
| 934 |
 |
Female Nude Reclining on a Divan |
1825-26
Musee du Louvre, Paris |
| 43959 |
 |
Female Nude, Killed from Behind |
c. 1827
Pastel, red and white chalk on paper,
400 x 270 mm |
| 25046 |
 |
Femmes d'Alger dans leur appartement (mk32) |
huile sur toile signee et datee 1834 180 x 229 cm Musee du Louvre Paris Un certain nombre d'artistes europeens pretendent avoir apercu comme Delacroix des femmes musulmanes dans leurs appartements du harem mais c'aurait ete violer un code social strict |
| 53874 |
 |
Foraldralos girl pa kyrkogarden |
mk234
1824
65x54cm |
| 10817 |
 |
Fording a Stream in Morocco |
1' 11 1/2" x 2' 4 3/4" (60x73 cm). 1858, Bequest of Count Issa de Camondo. |
| 70461 |
 |
Frauen von Algier |
Medium Oil on canvas
Dimensions Deutsch: 180 ?? 229 cm
|
| 58640 |
 |
Frederic Chopin |
Frederic Chopin, 1838, the Louvre
|
| 20911 |
 |
Frederic Chopin (mk05) |
Canvas 18 x 15''(46 x 38 cm)Fragment of a double portrait with George Sand;the other part of the Picture is in the Ordrupgaard,Copenhagen;bequeathed in 1907 R.F 1717(G/AR) |
| 52478 |
 |
George Sand |
1838 Oil on canvas, 79 x 57 cm |
| 58641 |
 |
George Sand |
George Sand, 1838, Ordrupgaard-Museum, Copenhagen, Denmark
|
| 38776 |
 |
George Sand-s Garden at Nohant |
mk141
1840s
Oil on canvas
45.5x55.2cm
|
| 930 |
 |
Girl Seated in a Cemetery |
1824
Musee du Louvre |
| 58632 |
 |
Greece Expiring on the Ruins of Missolonghi |
Greece Expiring on the Ruins of Missolonghi (1826), Mus??e des Beaux-Arts, Bordeaux |
| 933 |
 |
Greece on the Ruins of Missolonghi |
1826
Musee des Beaux-Arts, Bordeaux |
| 39986 |
 |
Greece on the Ruins of Missolonghi |
mk155
1826
Oil on canvas
209x147cm
|
| 44176 |
 |
Hamlet and Horatio in the Graveyard |
1839
Oil on canvas,
29,5 x 36 cm
|
| 62528 |
 |
Hamlet and Horatio in the Graveyard |
283 x 214 mm Biblioth?que Nationale, Paris Delacroix discovered Shakespeare in 1825 on a trip to London, where the celebrated Edmund Kean was playing Richard III. In Paris, the equally famous Talma - whose town house was decorated by Delacroix - did much to popularise Shakespeare's work in French. Delacroix saw Hamlet in Paris, in the company of Hugo, de Vigny, Dumas, Nerval and Berlioz. The Shakespearean hero, imperfect, immoderate and immature, was perfectly adapted to Delacroix's temperament, and gave free rein to his imagination; in his hands, the hero could be completed and perfected. It was, of course, Hamlet who most fascinated Delacroix. "Alas, poor Yorick! - I knew him, Horatio: a fellow of most infinite jest..." (Act V, Scene 1). The scene of Hamlet and Horatio in the Graveyard inspired a painting and a series of lithographs which mirror the development of his art as a whole. Author: DELACROIX, Eug?ne Title: Hamlet and Horatio in the Graveyard Form: graphics , 1801-1850 , French , other |
| 83555 |
 |
Hamlet und Horatio auf dem Friedhof |
Date 1839(1839)
Medium Oil on canvas
Dimensions Deutsch: 81 x 66 cm
cjr |
| 87390 |
 |
Hamlet und Horatio auf dem Friedhof |
1839(1839)
Medium Oil on canvas
Dimensions Deutsch: 81 x 66 cm
cyf |
| 94968 |
 |
Head of a Woman |
Date 1824
cyf |
| 44188 |
 |
Heliodoros Driven from the Temple |
1854-61
751 x 485 cm |
| 84703 |
 |
Heliodoros Driven from the Temple |
Date between 1854(1854) and 1861(1861)
Medium Oil and wax on plaster
cjr |
| 88613 |
 |
Heliodoros Driven from the Temple |
between 1854(1854) and 1861(1861)
Medium Oil and wax on plaster
cyf |
| 93662 |
 |
Hinrichtung des Dogen Marin Faliero |
1827(1827)
Medium oil on canvas
Dimensions Deutsch: 145 x 137 cm
cjr |
| 75298 |
 |
Huile sur toile |
Don de Horace de Choiseul (1866)
Date 1825
cyf |
| 62521 |
 |
Illustration for Goethe's Faust |
1825-27 Pencil on beige paper, 225 x 295 mm Mus?e du Louvre, Paris The scene of Faust and Mephisto Gallop through the Night of the Witches' Sabbath is an illustration for Goethe's Faust, Verse 4399-4404. In this work everything is movement and expression. Author: DELACROIX, Eug?ne Title: Illustration for Goethe's Faust Form: graphics , 1801-1850 , French , other |
| 43956 |
 |
Illustration for Goethe-s Faus |
1825-27
225 x 295 mm |
